Paper
1 February 2024 An exploration of Bonsai Ideorealm through holography
Yang Gao, Shuo Wang, Zicheng Liang, Xiaofan Liu, Zhilin Zhu
Author Affiliations +
Proceedings Volume 13067, International Workshop on Holography and Related Technologies (IWH2022 & 2023); 1306705 (2024) https://doi.org/10.1117/12.3024831
Event: International Workshop on Holography and Related Technologies (IWH2022&2023), 2023, Fuzhou, China
Abstract
Bonsai, an art form that condenses nature into a miniature scale, encapsulates not only the vastness of the world within a limited space but also mirrors the inner world of humans. Holograms, as mediums that record the light wave information of objects, are seen as creations of light, capable of replicating everything. This study aims to transcend traditional narrative methods in bonsai art by integrating the practice of bonsai with holographic imaging. By doing so, it seeks to create bonsai works with a novel aesthetic, offering viewers an entirely new context for contemplation and experience. Based on artistic practice, this paper presents three experimental sets of holographic art works. It also summarizes four advantages of holographic technology in the re-creation and innovation of bonsai art, analyzed from an interdisciplinary perspective.
© (2024) COPYRIGHT Society of Photo-Optical Instrumentation Engineers (SPIE). Downloading of the abstract is permitted for personal use only.
Yang Gao, Shuo Wang, Zicheng Liang, Xiaofan Liu, and Zhilin Zhu "An exploration of Bonsai Ideorealm through holography", Proc. SPIE 13067, International Workshop on Holography and Related Technologies (IWH2022 & 2023), 1306705 (1 February 2024); https://doi.org/10.1117/12.3024831
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KEYWORDS
Holography

Holograms

Visualization

Design

Holographic displays

Intellectual property

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