Reflections on Parmigianino's self portrait in a convex mirror: a computer graphics reconstruction of the artist's studio

David G. Stork; Yasuo Furuichi

doi:10.1117/12.840556

16 February 2010 Reflections on Parmigianino's Self portrait in a convex mirror: a computer graphics reconstruction of the artist's studio

David G. Stork, Yasuo Furuichi

Author Affiliations +

Proceedings Volume 7531, Computer Vision and Image Analysis of Art; 75310J (2010) https://doi.org/10.1117/12.840556
Event: IS&T/SPIE Electronic Imaging, 2010, San Jose, California, United States

Abstract

We built a full computer graphics model of Parmigianino's studio, including convex mirror, in order to explore the artist's likely working methods during his execution of Self portrait in a convex mirror (1523-4). Our model supports Vasari's record that the radius of curvature of a convex mirror matched the radius of curvature of the wood panel support. We find that the image in the painting is consistent with a simple horizontal rectilinear room drawn from a slightly re-oriented and re-positioned mirror. Our optical analyses lead us to recommend an alteration to the current display arrangement in the Kunsthistorisches Museum.

Citation Download Citation

David G. Stork and Yasuo Furuichi "Reflections on Parmigianino's Self portrait in a convex mirror: a computer graphics reconstruction of the artist's studio", Proc. SPIE 7531, Computer Vision and Image Analysis of Art, 75310J (16 February 2010); https://doi.org/10.1117/12.840556

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