9 February 2012 Across light: through colour
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Abstract
The speed at which our world is changing is reflected in the shifting way artistic images are created and produced. Holography can be used as a medium to express the perception of space with light and colour and to make the material and the immaterial experiments with optical and digital holography. This paper intends to be a reflection on the final product of that process surrounding a debate of ideas for new experimental methodologies applied to holographic images. Holography is a time-based medium and the irretrievable linear flow of time is responsible for a drama, unique to traditional cinematography. If the viewers move to left or right, they see glimpses of the next scene or the previous one perceived a second ago. This interaction of synthetic space arises questions such as: can we see, in "reality", two forms in the same space? Trying to answer this question, a series of works has been created. These concepts are embryonic to a series of digital art holograms and lenticulars technique's titled "Across Light: Through Colour". They required some technical research and comparison between effects from different camera types, using Canon IS3 and Sony HDR CX105.
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Isabel Azevedo, Isabel Azevedo, Martin Richardson, Martin Richardson, Luis Miguel Bernardo, Luis Miguel Bernardo, "Across light: through colour", Proc. SPIE 8281, Practical Holography XXVI: Materials and Applications, 82810B (9 February 2012); doi: 10.1117/12.908961; https://doi.org/10.1117/12.908961
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