SYDDARTA: new methodology for digitization of deterioration estimation in paintings

Luís Granero-Montagud; Cristina Portalés; Begoña Pastor-Carbonell; Emilio Ribes-Gómez; Antonio Gutiérrez-Lucas; Vivi Tornari; Vassilis Papadakis; Roger M. Groves; Beril Sirmacek; Alessandra Bonazza; Izabela Ozga; Jan Vermeiren; Koen van der Zanden; Matthias Föster; Petra Aswendt; Albert Borreman; Jon D. Ward; António Cardoso; Luís Aguiar; Filipa Alves; Polonca Ropret; José María Luzón-Nogué; Christian Dietz

doi:10.1117/12.2020333

30 May 2013 SYDDARTA: new methodology for digitization of deterioration estimation in paintings

Luís Granero-Montagud, Cristina Portalés, Begoña Pastor-Carbonell, Emilio Ribes-Gómez, Antonio Gutiérrez-Lucas, Vivi Tornari, Vassilis Papadakis, Roger M. Groves, Beril Sirmacek, Alessandra Bonazza, Izabela Ozga, Jan Vermeiren, Koen van der Zanden, Matthias Föster, Petra Aswendt, Albert Borreman, Jon D. Ward, António Cardoso, Luís Aguiar, Filipa Alves, Polonca Ropret, José María Luzón-Nogué, Christian Dietz

Author Affiliations +

Proceedings Volume 8790, Optics for Arts, Architecture, and Archaeology IV; 879011 (2013) https://doi.org/10.1117/12.2020333
Event: SPIE Optical Metrology 2013, 2013, Munich, Germany

Abstract

The SYDDARTA project is an on-going European Commission funded initiative under the 7th Framework Programme. Its main objective is the development of a pre-industrial prototype for diagnosing the deterioration of movable art assets. The device combines two different optical techniques for the acquisition of data. On one hand, hyperspectral imaging is implemented by means of electronically tunable filters. On the other, 3D scanning, using structured light projection and capturing is developed. These techniques are integrated in a single piece of equipment, allowing the recording of two optical information streams. Together with multi-sensor data merging and information processing, estimates of artwork deterioration and degradation can be made. In particular, the resulting system will implement two optical channels (3D scanning and short wave infrared (SWIR) hyperspectral imaging) featuring a structured light projector and electronically tunable spectral separators. The system will work in the VIS-NIR range (400-1000nm), and SWIR range (900-2500nm). It will be also portable and user-friendly. Among all possible art work under consideration, Baroque paintings on canvas and wooden panels were selected as the project case studies.

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Luís Granero-Montagud, Cristina Portalés, Begoña Pastor-Carbonell, Emilio Ribes-Gómez, Antonio Gutiérrez-Lucas, Vivi Tornari, Vassilis Papadakis, Roger M. Groves, Beril Sirmacek, Alessandra Bonazza, Izabela Ozga, Jan Vermeiren, Koen van der Zanden, Matthias Föster, Petra Aswendt, Albert Borreman, Jon D. Ward, António Cardoso, Luís Aguiar, Filipa Alves, Polonca Ropret, José María Luzón-Nogué, and Christian Dietz "SYDDARTA: new methodology for digitization of deterioration estimation in paintings", Proc. SPIE 8790, Optics for Arts, Architecture, and Archaeology IV, 879011 (30 May 2013); https://doi.org/10.1117/12.2020333

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