17 March 2015 A stereoscopic lens for digital cinema cameras
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Abstract
Live-action stereoscopic feature films are, for the most part, produced using a costly post-production process to convert planar cinematography into stereo-pair images and are only occasionally shot stereoscopically using bulky dual-cameras that are adaptations of the Ramsdell rig. The stereoscopic lens design described here might very well encourage more live-action image capture because it uses standard digital cinema cameras and workflow to save time and money.
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Lenny Lipton, John Rupkalvis, "A stereoscopic lens for digital cinema cameras", Proc. SPIE 9391, Stereoscopic Displays and Applications XXVI, 939107 (17 March 2015); doi: 10.1117/12.2081663; https://doi.org/10.1117/12.2081663
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