You have requested a machine translation of selected content from our databases. This functionality is provided solely for your convenience and is in no way intended to replace human translation. Neither SPIE nor the owners and publishers of the content make, and they explicitly disclaim, any express or implied representations or warranties of any kind, including, without limitation, representations and warranties as to the functionality of the translation feature or the accuracy or completeness of the translations.
Translations are not retained in our system. Your use of this feature and the translations is subject to all use restrictions contained in the Terms and Conditions of Use of the SPIE website.
Access to the requested content is limited to institutions that have purchased or subscribe to SPIE eBooks.
You are receiving this notice because your organization may not have SPIE eBooks access.*
*Shibboleth/Open Athens users─please
sign in
to access your institution's subscriptions.
To obtain this item, you may purchase the complete book in print format on
SPIE.org.
Abstract
Excerpt
Color constancy is a visual phenomenon wherein colors of objects remain relatively the same under changing illumination. A red apple gives the same red appearance under either a fluorescent or incandescent lamp, although the lights that the apple reflects to the eye are quite different. The light reflected from an object into the human visual pathway is proportional to the product of the illumination incident on the surface and the invariant spectral reflectance properties of the object. The fact that humans possess approximate color constancy indicates that our visual system does attempt to recover a description of the invariant spectral reflectance properties of the object. Often, color constancy and chromatic adaptation are used interchangeably. However, Brill and West seem to suggest otherwise. Using Hunt's demonstration: a yellow cushion looks yellow when the whole scene is covered by a blue filter, but the cushion looks green when it is covered by the blue filter cut to the exact shape of the cushion. They stated that the yellowness of the cushion in the first instance is seen immediately despite the bluish cast of the whole slide; then the bluish cast diminishes after several seconds of chromatic adaptation. The difference in time dependence suggests that chromatic adaptation may be a different phenomenon from color constancy.
Online access to SPIE eBooks is limited to subscribing institutions.