Dr. Ping Wah Wong
Consultant at IDzap LLC
SPIE Involvement:
Conference Chair | Author | Instructor
Publications (23)

PROCEEDINGS ARTICLE | January 24, 2012
Proc. SPIE. 8299, Digital Photography VIII
KEYWORDS: Signal to noise ratio, Transparency, Cameras, Calibration, Video, Composites, Resistance, Digital cameras, Image quality, Image quality standards

SPIE Conference Volume | February 4, 2009

SPIE Conference Volume | February 26, 2007

Showing 5 of 23 publications
Conference Committee Involvement (11)
Media Forensics and Security XI
19 January 2009 | San Jose, California, United States
Security, Forensics, Steganography, and Watermarking of Multimedia Contents X
28 January 2008 | San Jose, California, United States
Security, Steganography, and Watermarking of Multimedia Contents IX
29 January 2007 | San Jose, CA, United States
Security, Steganography, and Watermarking of Multimedia Contents VIII
16 January 2006 | San Jose, California, United States
Security, Steganography, and Watermarking of Multimedia Contents VII
17 January 2005 | San Jose, California, United States
Showing 5 of 11 published special sections
Course Instructor
SC680: Introduction to Digital Halftoning
This course will provide an introduction to the fundamental concepts of digital halftoning. Overview of the most successful digital halftoning algorithms will be given. We will discuss basic aspects of printer modeling and color as they pertain to digital halftoning, compression, watermarking, and descreening of digital halftones.
SC514: Introduction to Digital Halftoning
This course provides an introduction to the fundamental concepts of digital halftoning with an overview of the most successful digital halftoning algorithms. We discuss basic aspects of printer modeling and color as they pertain to digital halftoning, compression, watermarking, and descreening of digital halftones.
SC515: Advanced Concepts in Digital Halftoning
This course provides an in-depth look at advanced concepts of digital halftoning. Monochrome and color models for the rendering device and human visual system are presented, and model-based, iterative approaches to digital halftoning and application to model-based monochrome and color halftoning are discussed.
SIGN IN TO:
  • View contact details

UPDATE YOUR PROFILE
Is this your profile? Update it now.
Don’t have a profile and want one?

Back to Top